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1. 有李邕的行书，李阳冰的篆书，韩择木、蔡有邻的八分书等
    They include Li Yong who was good at xing calligraphy, Li Yangbing, a master of zhuan calligraphy, and Han Zemu and Cai Youlin who were lovers of bafen calligraphy.

2. 李邕能在书史上占有一席之地，是因为他是使行书书碑上规模、上档次的第一人。
    Li Yong himself had no intention to be treated as a calligrapher, and he thought more highly of his literature works than his calligraphy works.

3. 李邕书法源自二王，而以《怀仁集王书圣教序》为主，是王书的忠实继承者，属功力型而不是才气型，守成而创新甚少。
    He was the true successor to Wang Xizhi's calligraphy, and he was a skilled rather than gifted calligrapher, so his had more succession than innovation.

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4. 李邕书法的书史意义主要是在随唐太宗之后，用实践打破了以前书碑书体一味追求典雅庄重的局面，让行书这一简札体得以镌之于石，走上了庙堂，走向了公众场合。
    The main meaning, in the history of Chinese calligraphy, of the calligraphy of Li Yong is that his practice broke the situation of pursuing the grace and the grave after Tang Taizong(Li Shimin, the second empire in Tang dynasty), and that he made xingshu, mainly used for letters or other everyday field use in the serious and public situations.

5. 论文从严复为其珍藏的李邕《麓山寺碑》拓本撰写的题跋出发，全面考察严复与中国书法之关系。
    Based on the colophons of Yan Fu's cherished rubbings of the Lushan Temple Tablet, this paper examined in a comprehensive way the relation of Yan Fu and Chinese calligraphy.

6. 李邕的行书艺术及其对后世的影响
    On Li yong'art of calligraphy and the influence upon later generations

7. 元代人通过学习李邕书法，终至出唐入晋，复古为新。
    The people in the Yuan Dynasty eventually learned a lot about both Tang and Jin Dynasties by learning from Li Yong's calligraphy so as to restore ancient ways for the new ones.

8. 李邕在线翻译

8. 李邕家族谱系及书法成就考辨
    Investigations on Li Yong's Genealogy and his Calligraphy Achievement

9. 李邕

9. 江夏李氏在书法文化领域的文化积淀毫无疑问会影响这个家族的后裔，因此，李邕在书法领域取得巨大成就与其家族的书法积淀有着密切的关系。
    Li family's achievements both in culture and calligraphy undoubtedly affect its descendants, and Li Yong's success in calligraphy is no exception.

10. 杜甫在思想行为、文学创作、艺术审美方面、均受到李邕程度不同的影响。
    In ideology, behavior, literature creation, appreciation of beauty in art and etc, Du Fu had been influenced by Li Yong to varying extent.

11. 第五部分介绍李邕书法的传承情况及对后世的影响。
      In the fifth part, the generations and impact of the calligraphy of Li Yong are introduced.

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12. 但是长期以来，对李邕的研究几乎处于空白，这应该说是唐代文学研究中的一个疏漏。
      However, the study of Li Yong has long been overlooked, which the author considers to be an oversight in the study of Tang literature.